Gait Games

A must for Hollows.

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Today, May 21st, marks the release of ZA/UM’s Zero Parades, the studio’s Disco Elysium follow-up arriving following years of drama and turmoil surrounding the original game and the people who made it. So, naturally, one of numerous Disco-like games which have sprung up over the past few years has chosen that day to put out a new trailer, while also shouting about having recruited another former Disco Elysium developer.

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### The Comeback of Bubsy: A Sentimental Blunder

The return of Bubsy, the mascot platformer character with a tumultuous background, feels more like a sentimental salute to fans than a true effort to lift the franchise to the standard of quality set by its rivals. The latest installment, *Bubsy 4D*, is filled with gags, jibes, and meta-references to other video games and significant pop culture events. Nevertheless, the gameplay itself embodies a twist of irony: the platforming mechanics are just as problematic in this version as they were historically, leading players to wonder if it’s funny or disheartening that such flaws extend into 2026.

#### An Unsatisfying Evolution

The studio behind *Bubsy 4D*, Fabraz, attracted attention earlier this year for their delightful game, *Demon Tides*. In contrast to *Bubsy 4D*, *Demon Tides* is praised for its fluid, substantial platforming mechanics that make movement feel both accurate and freeing—a vital equilibrium that many developers struggle to obtain. So, what went amiss with *Bubsy 4D*?

The game fundamentally breaches one of the primary tenets of platforming: seamless movement. In this case, movements are slick and unpredictable, turning even the simplest tasks of running and jumping into a vexing challenge. Bubsy offers a variety of movement types—like sprinting on all fours for speed enhancements, performing a lackluster homing attack, and activating “hairball mode” which transforms him into a ball that rolls erratically through levels. Unfortunately, these mechanics are compromised by subpar controls and intricate physics, which sap the joy and challenge generally associated with the genre.

#### The Exasperating Truth of Bubsy

Players soon realize that Bubsy is a wild character who doesn’t respond consistently to commands. While instances of humor are interspersed throughout the journey—such as Bubsy’s quirky “Hedgehog Style” outfit, complete with a pixelated blur—these comedic aspects alone do not rescue the gameplay experience. The humor might inspire laughter and create memorable memes but does little to motivate players to dedicate time to a platformer that feels more like a task than an enjoyable adventure.

The design of *Bubsy 4D* seems to adopt a self-referential humor, regarding the character’s clumsiness as part of its appeal. However, this method can only support the game to a certain extent before it becomes a trial of endurance rather than a source of enjoyment. Players frequently find themselves reconsidering their dedication to a game that is more aggravating than rewarding, ultimately causing many to disconnect from their feline buddy.

### Conclusion

While nostalgic revivals can often spark fond memories, *Bubsy 4D* seems to stumble in its implementation. With gameplay that fails to meet the benchmarks established by its peers and a dependence on humor to mask the deficiencies, it serves as a reminder of the difficulties involved in resurrecting a franchise that never fully realized its potential. As enthusiasts of the platforming genre, the yearning for quality persists, only to be confronted with the sobering truth that some characters are likely best left in history.

Charges replace Hierro.

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Many fantasy games deal in the prospect of sacrificing things to gods, but few dramatise the associated exciting logistical pressures. Say you want to chuck a bunch of virgins into a volcano at regular intervals, to stop the regional Vulcan pulling a Pompei. Well, how are you going to procure an adequate supply of vestals, if you keep incinerating the very means of production?

Perhaps you can obtain some from the nearby villages, in return for some steel wire from your furnaces. Ah, but the nearby villages don’t want any wire; they’re desperate for fish. Fine: sell the steel wire to the villages on the coast, that they may haul in a big catch and sell it to the inlanders, so they can flog their spare virgins to you. What happens when the other villagers run out of virgins? That’s their problem. As Valve like to say, we cannot be held responsible for the business decisions of third parties.

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**Quantic Dream’s ‘Spellcasters Chronicles’: A Rapid Cancellation and Implications for the Studio**

On May 20, 2023, Quantic Dream, the studio famous for games like *Detroit: Become Human*, revealed the sudden termination of its first new title in eight years, *Spellcasters Chronicles*. This free-to-play Multiplayer Online Battle Arena (MOBA) game was pulled from Steam just three months post-launch, with servers anticipated to shut down in June. This quick choice has sparked worries not only regarding the game’s performance but also about considerable layoffs within the studio, possibly impacting up to 95 team members.

The aftermath of *Spellcasters Chronicles* has elicited strong backlash from the French union **Le Syndicat des Travailleureuses du Jeu Vidéo** (STJV), which has linked the project’s failure to mismanagement at the top. The union’s announcement underscored that the game, initially intended to be a “moderately-sized” project, did not satisfy player expectations and was fraught with poor planning and execution. Management, including director David Cage, has been criticized for failing to address the business model and the game’s financial viability during its development.

The union claims that numerous critical blunders transpired during the production phase. They indicated that a deficiency in oversight and continual revisions resulted in team burnout and a deteriorating production schedule. Management’s reliance on external factors as reasons for the failure, instead of owning up to their choices, has been labeled as flawed. The union maintains that the substantial investment in a precarious market, without synchronizing with current player expectations, played a role in the game’s demise.

Quantic Dream has tried to reassure stakeholders by claiming that its other significant project in development, *Star Wars Eclipse*, remains unaffected by the outcome of the *Spellcasters* cancellation. However, uncertainty surrounds the employees as they consider the reassignment of staff from the unsuccessful MOBA to the forthcoming narrative-driven game.

The union conveyed strong opinions regarding the possible reorganization of personnel, suggesting that dismissing the competencies of those who contributed to *Spellcasters* as unfit for *Star Wars Eclipse* undermines their abilities. Such assertions have raised alarms among employees concerning job stability and the studio’s treatment of its workforce, especially in view of the proprietary tools being developed and the recent team structures centered on project requirements.

Moreover, the influence of NetEase, the Chinese conglomerate that purchased Quantic Dream in 2022, has come under fire. Reports indicate that NetEase may have coerced the studio to abandon *Spellcasters Chronicles* too soon and with insufficient marketing initiatives, further exacerbating its swift decline.

The union expressed dissatisfaction over management’s presumption of guaranteed success for *Spellcasters Chronicles*, disregarding any issues raised by employee representatives regarding the risks of the project. They pointed out that the absence of backup plans for failure revealed a troubling level of incompetence that ultimately resulted in job losses for employees.

As Quantic Dream navigates the consequences of canceling *Spellcasters Chronicles*, the studio encounters a pivotal moment that could reshape its future. The management’s strategies, decisions, and treatment of the workforce will likely come under intensified scrutiny as they aim to recover from this major setback. The situation serves as a poignant reminder of the capricious nature of game development, where aspirations can rapidly give way to challenges that impact livelihoods.

As this chapter concludes, the industry will closely observe how Quantic Dream adjusts and rebounds from the unexpected termination of their ambitious project.

While in the midst of not great financial times at the moment, Ubisoft have revealed plans to have new Assassin’s Creed, Far Cry, and Ghost Recon games out at some point between now and early 2029. Boss Yves Guillemot is touting this to investors as signifying an incoming turnaround following “one of the most ambitious transformations in the company’s history”, which is corpospeak for taking a bunch of money from Tencent to rearrange some corporate chairs, delaying or cancelling a bunch of games, and laying off staff.

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Valve have moved to dismiss a New York attorney general lawsuit accusing them of facilitating illegal gambling by way of lootboxes on Steam, after first seeking to try it in the court of public opinion. In a memo filed this week, the company offered a largely familiar defence against the New York AG lawsuit, hinging on the idea that randomised lootbox rewards can’t be defined as gambling under state law, because they are bought with virtual currency (which can be used for other purposes) and have no ‘real’ value as cash or property.

They also position the lawsuit as an attack on free speech, while – to my eye, anyway – skirting around the claim that lootbox design and presentation can be inherently manipulative.

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# Dead as Disco: An Exciting Beat ‘Em Up with Musical Foundations

**Dead as Disco** is a thrilling early-access release from Brain Jar Games that presents a novel approach to the rhythm-oriented beat ’em up category. The game effortlessly merges musical components with action, crafting a distinctive experience that has already caught the attention of both gamers and would-be modders. With its captivating features and community-influenced opportunities, *Dead as Disco* is emerging as a notable title in its genre.

## Captivating Gameplay Driven by Music

Echoing popular games like *Hi-Fi Rush* and *Bullets Per Minute*, *Dead as Disco* prompts players to align their actions with a lively multi-genre soundtrack. Players assume the role of Charlie Disco, whose fighting skills—from strikes to evasions—are closely linked to the catchy rhythms that play during each encounter. The game’s eye-catching aesthetic, adorned with vibrant neon visuals, enriches the overall experience, crafting an engaging and stylish atmosphere.

Nevertheless, while rhythm is fundamental, the gameplay’s complexity guarantees that players can’t just mash buttons haphazardly. Enemies consistently launch attacks, demanding that players dodge in sync with the music while executing their combos. This requirement for rhythmic accuracy introduces an additional level of challenge to the gameplay, as a single error can disrupt the flow but won’t cause immediate failure. The game balances ease of access with skill, appealing to both casual and seasoned players.

## Distinctive Music and Characters

The stages in *Dead as Disco* familiarize players with Charlie’s former bandmates, each showcasing their unique musical styles—from brooding emo rock to vivacious rap. The diverse soundtrack not only highlights the characters’ personalities but also enhances the gameplay experience. The interactions and witty repartee among the characters inject a quirky charm reminiscent of Suda 51’s signature storytelling style.

Beyond the essential soundtrack, the game’s dedication to user-generated content sets it up for lasting appeal. Players can upload their own tracks and design custom levels, aligning combat actions to these songs. Brain Jar Games has provided players with tools to adjust and sync their selected music, ensuring that each level matches seamlessly with the action. This feature enables a wide range of in-game experiences and musical adventures.

## A Flourishing Community Potential

As demonstrated during its development phase, *Dead as Disco* already boasts an engaged community that has used the pre-release demo to craft unique content. Players have shared clips and experiences that showcase not only gameplay but also the creative possibilities of the game. The ability to support player-created levels and soundtracks is thrilling, making it a self-relying platform even before its official debut.

The emphasis on a community-driven model offers a chance for ongoing interaction. Games in the rhythm genre often struggle with monotonous playlists, yet with *Dead as Disco*, the opportunity for endless customization fosters longevity. The groundwork laid by the developers ensures that players will continue to discover new and exciting content well into the future.

## Conclusion

*Dead as Disco* is more than merely an early access title; it is a developing platform for rhythmic action and creativity. The fusion of engaging gameplay, a varied soundtrack, and extensive modding options positions it as a strong contender in the rhythm beat ’em up scene. As the game nears its 1.0 release next year, anticipation is high for how it will further enhance the gaming community and retain its captivating rhythm. With Brain Jar Games steering the ship, fans and players alike can eagerly anticipate an exhilarating adventure that blends music and combat in innovative fashions.

**Sony’s Upcoming PlayStation Showcase: What to Anticipate on June 2**

Sony has revealed an exhilarating PlayStation gaming showcase set for June 2, promising a larger experience than ever before. This eagerly awaited event will feature the main reveal of *Marvel’s Wolverine*, the newest action-adventure title from Insomniac Games. Enthusiasts can look forward to a detailed presentation showcasing Logan’s fierce combat mechanics along with other fresh insights about the game, which is slated to debut on PS5 on September 15.

The showcase will unfold over one hour and will be streamed live at 5:00 PM ET on both [YouTube](http://play.st/YouTube) and [Twitch](http://play.st/Twitch). Additionally, fans have the chance to partake in the showcase physically at select Alamo Drafthouse venues, providing a unique opportunity for community engagement.

### Expected Titles and Announcements

One of the pressing inquiries about the showcase is the possibility of a new *God of War* installment being developed by Santa Monica Studio. Reports indicate that this forthcoming title will exist within the same universe as the original series but will center on a character named Faye instead of Kratos. Acclaimed voice actor Christopher Judge has suggested that more details regarding this project are anticipated to be unveiled during the summer.

Alongside *God of War*, there are rumors that Sony is in the works on a remake trilogy of the original *God of War* titles. Another captivating project is *Intergalactic: The Heretic Prophet* from Naughty Dog, although specifics remain limited. Guerrilla Games is also developing a multiplayer *Horizon* spin-off titled *Horizon Hunters Gathering*. Discussions about reviving classic franchises have spurred speculation about possible remakes or reimaginings of beloved titles like *Ape Escape*.

### Third-Party Announcements and Hype Surrounding *Grand Theft Auto 6*

PlayStation showcases are renowned for featuring third-party game announcements as well, and fans are clamoring for new trailers, especially for the highly awaited *Grand Theft Auto 6*. With Sony reportedly having a promotional deal with Rockstar Games, anticipation is mounting for what could be one of this year’s most pivotal blockbuster disclosures.

As the date of the showcase draws near, gamers and industry fans alike are keen to witness not just the confirmed titles but also any unexpected announcements that Sony might present.

### Conclusion

With *Marvel’s Wolverine* at the forefront and the likelihood of significant updates on other cherished franchises, Sony’s PlayStation showcase on June 2 is poised to be an essential event for gaming enthusiasts. Whether connecting online or attending in person, fans are sure to find plenty to be thrilled about in the upcoming hours.