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Arrows, Arrows, and more Arrows.

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If Dig In were called a ‘historical wave defence strategy base-builder’ or similar I wouldn’t have been jarred by it. Odds are I’d have skimmed right past. Instead, Icelandic developers Vitar Games are calling it “a WW1 trench warfare colony sim”, and this wigs me out a little. We are colonising the Somme! Nothing is too sacred for artistic depiction, and people have been commodifying memories of the World Wars for decades, but throwing in an ultra-compacted gravitational mass of a concept like “colony” really turns it all up to 11/11.

It’s a gift to cultural essayists. Within the combinatory logics of Steam, it’s also a harbinger for such genres as the “WW1 life sim” or even “cosy WW1”. I am trying to imagine what Wilfred Owen might have written about bladder gauges. Here is a trailer.

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Magic: The Gathering Arena developers at Wizards of the Coast are set to unionise with the Communications Workers of America (CWA). The CWA say they’ve secured a “supermajority” in favour of unionisation among the workers, and have given Wizards of the Coast until the end of the week to voluntarily recognise the union – dubbed United Wizards of the Coast—CWA – and filed an election petition with the US National Labor Relations Board.

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### The Most Recent Performances from *KPop Demon Hunters* Cast

In October, the vocal ensemble of Netflix’s animated musical *KPop Demon Hunters* made their live launch by showcasing the film’s hit song “Golden” on *The Tonight Show*. Following that memorable occasion, singers Ejae, Audrey Nuna, and Rei Ami have dazzled various award ceremonies and occasions with their lively interpretation of the track. As this trio continues to captivate audiences, the soundtrack presents several other songs that are worth discovering.

Among the notable tracks from the film is “How It’s Done,” an electrifying number that opens the movie with a potent mix of fierce lyrics and spirited energy as the girls of Huntr/x confront a pack of demons. Fans were excited to find out that the trio would be performing this song together as part of a collaboration with McDonald’s. The Saja Boys, the fictional demon boy band competing against them, also took to the stage to deliver their catchy hit “Soda Pop.” This occasion catered to supporters of both groups, providing a dual showcase.

Unfortunately, the excitement was somewhat overshadowed by the fact that both ensembles lip-synced to what seemed to be the original recordings from the film instead of delivering a live performance. Moreover, significant segments of both songs were excluded, detracting from the complete experience. Specifically, “How It’s Done” lacked its second verse, often considered the song’s highlight, while “Soda Pop” was similarly abbreviated, featuring only the first verse and chorus. Even though the visual aspect was refined and each group’s style was clearly evident, fans were left hoping for an authentic live performance that encompassed more of the soundtrack’s variety.

The visual appeal of the performance did stand out, with the Saja Boys dressed in formal outfits reminiscent of classic doo-wop groups, contrasting with the more laid-back attire of Huntr/x. Despite this enjoyable visual component, fans still aspire for live renditions of songs beyond “Golden.” Speculations regarding a potential arena tour may bring the promise of future performances that could satisfy the depth fans are craving.

In a noteworthy solo performance, Audrey Nuna did take the stage in Australia back in March, singing “How It’s Done” solo, which received a warm response even without the full collaborative lineup.

As *KPop Demon Hunters* nears its first anniversary, promotional activities continue robustly, spotlighting both the film’s unexpected triumph and the eagerness from Netflix and Sony to capitalize on its fame. Fans can anticipate continued collaborations and content while they await the much-anticipated sequel, which is still a few years on the horizon.

**After Shooting Incident at White House Correspondents’ Dinner: The Downfall of Cole Tomas Allen and His Game *Bohrdom***

In an astonishing series of events this past weekend, Cole Tomas Allen, purportedly responsible for an attempted shooting, sought to breach security during the White House Correspondents’ Dinner in Washington, D.C. Preparations for formal charges against him are set in motion following this occurrence, which regrettably led to the injury of a security official. Allen notably proclaimed himself an independent game developer, with his sole project, *Bohrdom*, listed on Steam.

Originally launched in 2018, *Bohrdom* attracted scant attention, following a predictable path shared by numerous indie games on various digital platforms. The game, a tribute to Danish theoretical physicist Niels Bohr, was characterized as a “non-violent asymmetrical fighting game” blending elements of bullet hell and racing genres. However, it hardly made a mark within the gaming community, peaking at a meager two simultaneous players and garnering just two sardonic reviews at its debut. Despite Allen’s assertions of a “successful launch” on LinkedIn, it was evident that the game was among the many that slipped into obscurity on Steam.

In the aftermath of the shooting attempt, *Bohrdom* experienced an unanticipated influx of activity, receiving 134 new reviews—predominantly memes, jokes, or politically charged remarks—many reflecting the tumultuous nature of the incident. By this morning, while *Bohrdom’s* store page remained active on Steam, it had been removed from sale, a likely move by Valve to evade profiting from Allen’s actions.

The reviews unveiled a stark contrast within America in 2026, highlighted by the divided reception of *Bohrdom*, which achieved an almost equal split of positive and negative ratings. While some reviewers conveyed shock and dismay at Allen’s unsuccessful attempt at mass violence, others seized the moment to critique the game’s quality, drawing comparisons to Allen himself. Regrettably, the comments section also became a venue for reflections on the nation’s division, showcasing an alarming presence of racist and anti-Semitic remarks alongside puns about the game’s name and mechanics.

Amid the turmoil, one credible review surfaced, evaluating the game’s gameplay mechanics with genuine discontent, pointing out flaws like a disruptive tutorial that obstructed the gameplay experience. This critical perspective stands out amidst a sea of humorous reactions and social commentary attempts.

Valve’s decision to remove *Bohrdom* from sale likely signifies an intent to approach this delicate situation with caution. Experts suggest the company would want to steer clear of the stigma associated with profiting from actions connected to Allen, given the seriousness of the event that occurred at a renowned gathering of journalists and public figures.

The story surrounding Cole Tomas Allen presents more than just insight into one man’s actions; it casts a wider commentary on the current cultural landscape in America where video games, typically viewed as mere entertainment, intersect with pressing social issues and national security. As legal actions against Allen progress and society reflects on the events that unfolded, attention will surely focus on both the ramifications of such violence and the reactions of digital platforms in a realm where the distinctions between virtual engagement and real-world repercussions continuously converge.

Sony has recently revealed considerable price hikes for the PlayStation consoles across several East Asian nations. This move follows similar adjustments enacted just a month ago in the U.S., U.K., Europe, and Japan, with the company citing persistent global economic factors as the reason for the changes.

In South Korea, there has been a notable price increase, with the disc drive PS5 now costing ₩948,000 (around $644), the PS5 Digital Edition at ₩858,000 ($583), and the PS5 Pro priced at ₩1,298,000 ($882). The PlayStation Portal will also see a rise to ₩378,000 ($250), representing an overall price increase of 43% from the initial launch price of the all-digital PS5 in the nation.

The following details the complete list of price adjustments in other East Asian markets, effective from May 1:

**Singapore:**
– PS5: SGD 849
– PS5 Digital Edition: SGD 764
– PS5 Pro: SGD 1,167

**Malaysia:**
– PS5: MYR 2,799
– PS5 Digital Edition: MYR 2,499
– PS5 Pro: MYR 3,999

**Thailand:**
– PS5: THB 20,990
– PS5 Digital Edition: THB 18,790
– PS5 Pro: THB 30,990

**Indonesia:**
– PS5: IDR 11,399,000
– PS5 Digital Edition: IDR 9,999,000

**Philippines:**
– PS5: PHP 40,032

**Vietnam:**
– PS5: VND 16,900,000

These price changes highlight the effect of challenges such as a RAM shortage and escalating costs of various gaming components. As Sony maintains a leading role in the premium gaming console sector, there is speculation regarding their future product direction, including possible development of the PS6 with hopes of a more budget-friendly price point. Nevertheless, market dynamics indicate that developing cheaper yet more advanced technology may be challenging, considering the current economic climate and ongoing trends concerning console pricing.

**Fortnite and Controversial Collaborations: The Instance of D4vd**

Fortnite, the highly acclaimed battle royale game created by Epic Games, has a track record of weaving diverse elements of pop culture into its realm. This crossover trend frequently leads to cosmetics, emotes, and characters inspired by renowned personalities, films, and music. Nevertheless, the game has encountered notable controversies in the past due to its method of handling these partnerships. The recent situation involving pop artist David “D4vd” Burke illustrates the complexities and difficulties Epic Games confronts when addressing the intersection of gaming and real-world matters.

**Overview of the Controversy**

In September, authorities found the body of 14-year-old Celeste Rivas Hernandez in a confiscated Tesla linked to David Burke in Los Angeles. Burke, who was not present in the city at that time, was later disclosed to have had a connection with Hernandez. By November, he had been identified as a suspect in her death, with his arrest taking place on April 16. The details surrounding Hernandez’s death are profoundly troubling, and the case has attracted considerable media coverage, igniting public outcry and discussions about Burke’s role as an artist within the gaming sphere.

**Fortnite’s Reaction and Player Feedback**

In spite of the grave nature of the charges against Burke, Fortnite has not swiftly removed his music and related cosmetics from the game. Burke was included in Fortnite last May, along with a cosmetic bundle that showcased an emote set to his track “Feel It.” In response to the controversy, Fortnite’s social media channels announced intentions to launch a self-service refund initiative for players who had purchased these cosmetics beginning April 28. This action reflects Epic’s attempt to address player concerns while refraining from a complete deletion of the content.

This scenario stands in contrast to Epic’s prior actions, such as the removal of a Peacemaker emote on account of worries that it could be perceived as a nod to a Nazi swastika. The company’s ability to act decisively in such instances raises questions concerning their management of more serious allegations involving a living artist.

**Community Feedback and Future Considerations**

The community has shown varied reactions, with numerous players urging for the elimination of D4vd’s in-game content due to the gravity of the accusations. While some value the refund option, others believe this approach is lacking in light of the circumstances. The situation emphasizes the ongoing discourse regarding the ethics of art and the impact of public figures within gaming.

Epic Games has indicated it is introducing a series of changes over time, which has led to anticipation regarding how they will further tackle the ongoing controversy surrounding Burke. As the gaming sector continues to intersect with real-world occurrences and societal challenges, the management of such situations will be vital in shaping player trust and the overall perception of Fortnite as a responsible platform.

As developments progress, the case of D4vd will likely emerge as a crucial focal point in discussions about accountability within the gaming community and the obligations of game developers when linking their platforms with real-life figures facing significant allegations.

**A Look Back at a Decade of Enter the Gungeon and the Development of Roguelikes**

This month celebrates the tenth anniversary of *Enter the Gungeon*, a notable achievement for its creator, Dodge Roll. Co-founder Dave Crooks and the game’s composer, Adam “Doseone” Drucker, recently provided commentary to *Polygon* on the game’s impact and the broader evolution of the roguelike genre over the past ten years.

Crooks voiced doubts regarding current trends in roguelikes, pointing out a movement towards a more commercialized, gambling-influenced model. He stated, “The most obvious thing that I see is a screen that pops up three choices every 45 seconds. That’s changed.” This transformation indicates a move away from the classic design ethos where gameplay is seamless to sustain immersion and excitement. In contrast, contemporary games frequently offer players instant rewards, reminiscent of slot machines.

The analogy to a “slot machine” is not coincidental; Crooks ascribes this shift in gameplay primarily to two games: *Balatro* and *Vampire Survivors*. “Especially on the back of *Vampire Survivors* and *Balatro*, I think that it has gone a little bit…God, I don’t want to be the person that says this, but a little cash-grabby,” he expressed. He argues that the enjoyment derived from these modern titles aligns more with gambling mechanics, implying that developers find it simpler to produce games that cater to this instant gratification model, rather than providing the depth and challenge that earlier roguelikes like *Rogue* or *The Binding of Isaac* delivered.

Crooks further explained that the roguelike genre, which originated with the 1980 Unix game *Rogue*, underwent a resurgence thanks to titles like *Rogue Legacy* and *The Binding of Isaac*. These games effectively rekindled interest in the genre in the early 2010s, concentrating on richer gameplay systems rather than ephemeral rewards.

The new trajectory in roguelikes is illustrated in *Balatro*, which features overt gambling elements; its card-based mechanics even resulted in it obtaining a PEGI 18+ rating in 2024 due to its content. Likewise, *Vampire Survivors* incorporates slot machine features into its gameplay, as its creator, Luca Galante, has admitted that his experience in the gambling sector shaped its design, especially the animations that trigger when players open chests.

In the wake of the achievements of these games, there has been a surge of gambling-themed roguelikes, such as *Raccoin* and *CloverPit*. While players are enjoying these titles, Crooks raises important questions about whether this trend favors profit generation over genuine engagement.

As we honor the decade-long legacy of *Enter the Gungeon*, there’s growing anticipation about its upcoming sequel, *Enter the Gungeon 2*, slated for 2025. The evolution of the roguelike genre is currently a key focus for Dodge Roll, and numerous fans are keen to observe how they will navigate the challenges and opportunities presented by this new environment. The discussion initiated by Crooks not only prompts contemplation on the current state of roguelikes but also fosters dialogue about finding a balance between commercial viability and gameplay authenticity in the future.

**Could 2007’s Assassin’s Creed Be Ubisoft’s Next Remake?**

There is speculation that Ubisoft might be preparing to remake the original *Assassin’s Creed*, which debuted in 2007. This possible endeavor coincides with a resurgence of interest in the gaming community for classic titles being rejuvenated through modern technology and storytelling methods, making it a suitable candidate for a remake.

**Crypto Games on the Decline**

A recent study shows that around 93 percent of crypto games have failed, highlighting a considerable decline in what was once perceived as a thriving sector in gaming. Data from Caladan reveals that funding for studios has also decreased by 93 percent since 2022. Though this statistic seems alarming, some industry experts point out that traditional games face comparable failure rates, indicating a high turnover rate for new titles within the gaming industry.

**People Can Fly’s New Acquisitions**

People Can Fly, the studio responsible for *Outriders*, has been proactive in strengthening its portfolio by acquiring a studio established by former Gearbox employees. This strategic decision intends to enhance their publishing capacity and broaden their global market presence. CEO Sebastian Wojciechowski highlighted the significance of establishing a revenue-generating model from the beginning to secure sustainability in their operations.

**The Future of Live-Action Game Adaptations**

During the latest BAFTAs, voice actor Ben Starr shared his thoughts on the necessity of live-action adaptations of video games, arguing that such adaptations are not required for the legitimacy of the original material. While he recognizes the enthusiasm surrounding adaptations like *God of War* and *Assassin’s Creed*, he believes that video games have their own merit and should not depend on movie adaptations for validation.

**Ongoing Success of Crimson Desert**

*Crimson Desert* has bucked the typical decline in concurrent players following its release, maintaining a robust user base on Steam even weeks post-launch. The game continues to draw in players, signaling strong interest and engagement within its vast open world.

**Assassin’s Creed Black Flag Resynced: A Different Approach**

Ubisoft is also developing *Assassin’s Creed Black Flag Resynced*, which concentrates exclusively on the narrative without the multiplayer or DLC features of the original. Producer Paul Fu indicated that this remake is constructed from scratch and seeks to deliver a pure, story-driven experience centered around the character Edward Kenway.

**Looking Ahead: The Potential of a Metroid Movie**

Insiders reveal that studios are competing for the rights to produce a movie based on Nintendo’s *Metroid*. The adaptation may face a decision on whether to keep the lighter tone set by previous Nintendo films or delve into a darker, more sci-fi horror-infused interpretation that aligns with the game’s current atmosphere.

**In Memoriam: Gerry Conway**

The comics community grieves the passing of Gerry Conway, 73, a renowned figure most recognized for creating *The Punisher*. Marvel confirmed his death, celebrating his substantial contributions to pop culture and extending condolences to his family and fans.

**In Case You Missed It (ICYMI):**

Readers are encouraged to remain informed about the latest updates in gaming and related entertainment news, ensuring they are aware of exciting announcements and launches.

# The Effect of RAMaggedon on Valve’s Hardware Strategy

The persistent RAM shortage, often dubbed “RAMaggedon,” has profoundly impacted several industries, especially those dependent on memory parts like AI hyperscalers and data centers. This scarcity has resulted in rising costs and challenges in acquiring PC components and memory parts. Valve Corporation, celebrated for its cutting-edge hardware and software innovations, is not exempt from this tough climate, although its latest offering—the forthcoming Steam Controller—remains untouched by the RAM crisis.

## Valve’s Steam Controller Release

In a recent interview, Valve designer Lawrence Yang tackled concerns regarding whether the RAM shortage had affected the development or timing of the Steam Controller’s release. He clarified that the controller’s design does not rely on RAM or storage, stating, “Specific to the Steam Controller, thankfully, no. Thankfully, there’s no RAM or storage inside of it.” This assurance provides consumers confidence that the Steam Controller will debut as scheduled, unaffected by the ongoing RAM challenges impacting other hardware.

Yang stressed that there has been no delay in the Steam Controller’s release due to RAM shortages, refuting rumors that the product’s launch was being pushed back to align with the Steam Machine and Steam Frame VR headset. He explained that the decision to ship the controller now is based on it being ready for market, after thorough efforts on hardware, firmware, and software to guarantee adequate quantities are available at launch.

## Wider Hardware Consequences

While the Steam Controller has escaped the fallout from the RAM crisis, Yang acknowledged that Valve’s broader hardware plans have encountered obstacles due to the ongoing shortages. He remarked, “RAM and memory prices are a real challenge and a real bummer that the whole industry is dealing with.” This shortfall has compelled Valve to navigate considerable challenges as it reevaluates its future hardware strategies.

In November of last year, Valve had unveiled an ambitious lineup of products, including the Steam Machine, the Steam Frame VR headset, and the Steam Controller, with initial shipments expected in early 2026. However, by February, Valve realized the necessity to reassess pricing and launch schedules for both the Steam Machine and Steam Frame, indicating that while they remain committed to a 2026 release, adjustments might be needed in light of current market conditions. During a GDC panel earlier this year, Valve humorously suggested they would procure any available RAM, illustrating their readiness to adapt to the shifting landscape.

## Conclusion

The RAM shortage has cast a significant shadow over the technology sector, impacting production capabilities and pricing across various domains. For Valve, while the Steam Controller stands out as a timely release amidst these adversities, the company continues to navigate the realities imposed by RAM shortages on its other hardware strategies. As the situation develops, the gaming community eagerly awaits the launch of Valve’s innovations while monitoring the implications of memory component availability.